Josh KerwickAction cinema doesn’t get much better than ‘RRR’S.S. Rajamouli’s film Really, Really Rocks, setting a new standard for blockbusters in the 2020sJan 28, 2023Jan 28, 2023
Josh Kerwick‘Triangle of Sadness’ drowns in shallow watersThe 2022 Palme d’Or winner is not even half as enticing as its title, providing a completely insipid and juvenile satireJan 27, 2023Jan 27, 2023
Josh KerwickThe 3RA of ‘M3GAN’ is hereOne part commentary and a much larger part camp horror, M3GAN is above all a great time at the moviesJan 25, 2023Jan 25, 2023
Josh KerwickWhy ‘Avatar: The Way of Water’ feels differentThe long-awaited and even longer-developed sequel swings big and hits hardJan 11, 2023Jan 11, 2023
Josh Kerwick‘Black Panther: Wakanda Forever’ is constantly battling itselfCoogler and co. struggle to balance personal grieving and the needs of corporate filmmakingNov 20, 2022Nov 20, 2022
Josh KerwickLove and mystery intertwine unexpectedly in ‘Decision to Leave’Director Park Chan-wook subtracts some of his trademark grittiness for a romantic investigation — in more ways that oneOct 24, 2022Oct 24, 2022
Josh Kerwick‘Blonde’ is exhausting.The long-awaited Marilyn Monroe “fictional biopic” somehow manages to be juvenile, offensive and occasionally well-made all at onceOct 15, 2022Oct 15, 2022
Josh Kerwick‘Nope’ harkens back to the thoughtful summer spectacleAnchored by terrific visuals, fantastic performances and stellar script-work, Jordan Peele’s latest film is in many ways his strongest yetAug 19, 2022Aug 19, 2022
Josh Kerwick‘The Black Phone’ is suitably scary and wonderfully actedDoctor Strange and Sinister alum Scott Derrickson gives us a scary Ethan Hawke and a suitably off-putting film to matchJul 25, 2022Jul 25, 2022
Josh KerwickIs 'Thor: Love and Thunder' the worst MCU movie?The Marvel machine groans and creaks along as it sacrifices consistent tone and characterisation for a quantity-over-quality comedic…Jul 13, 20221Jul 13, 20221
